Sharon Friedman – Vigilance and Tranquility

Try this. One hits two and two lets the hit move him by power of the hit itself or by recognizing the fear in himself and choosing to move (it is important to choose your action rather than react so you are not cought in a loop of overreacting and end up cold and ugly in a small grave) as you move you use that movement to hit back on the same rythem of one. As one hits you move as errr one and hit back on the same timing. Consider a movement to the side to avoid a hit to the face and as you rotate (and keep your frame upright) you allow the forearm to move up and hit number on on his side. On a side note russian ballet manuals are a great source of grace and power and beauty but the translation to English is noticble. have fun and keep an open mind.